As a studio document-in terms of engineering, production and performance- Rumours is in the elite company of Dark Side of the Moon and Aja: albums with fidelity as high-class as the songs themselves. It’s almost impossible to improve, sonically, on one of the warmest, richest recordings in the history of pop music.
Besides squeezing out endless cash wads from the wallets of music buyers (an ever-diminishing breed), what’s the point of a fancy-ass remastered deluxe box-set reissue? In the case of Fleetwood Mac’s 1977 pop masterstroke Rumours, it’s a question especially worth asking.
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